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  Issue 02 Autumn (Nov - Dec 09)
Issue # 02  

Artist in Focus

LI Fang

Interview

Portfolio

Biography

Interview

Yan Pei Ming

Special Report

Niki de Saint Phalle
Louise Bourgeois
Marina Abramovic
Elke Krystufek
Shen Yuan
Teresa Margolles
Shilpa Gupta
Euliala Valldosera

People

Sanyu
Glenn Gloud

Exhibition Review

Born in the Streets
Vraoum!

Exhibition Express

So Sorry - Ai Wei Wei
Anish Kapoor
Pop Life: Art in a Material World
Caverne - Huang Yong Ping
Dress Code
Law - Zhang Ding
One Degree Separation
Sculpture on HKG Sea
John Baldessari

Design News

Nomiya - Laurent Grasso
Zaha Hadid Retrospective
Madeleine Vionnet
Editor's Note
Exhibition Express
Anish Kapoor

Anish Kapoor
26 September—11 December 2009
Royal Academy, London


Born in India in 1954, Kapoor is regarded as one of the most influential and pioneering sculptors of his generation and is celebrated for works which enter into a profound spiritual engagement with the viewer such as the early pigment sculptures; 1000 Names (1979- 80), Marsyas (2002) part of the Unilever Series at the Turbine Hall, Tate Modern, and Sky Mirror, installed at the Rockefeller Centre, New York in 2006.

The Royal Academy of Arts is holding a major solo exhibition of the internationally acclaimed artist and 1991 Turner Prize winner Anish Kapoor.

This exhibition surveys Kapoor’s career to date as well as showcase new and previously unseen works. One of the highlights of the exhibition is the monumental work Svayambh, (a Sanskrit word which roughly translates as "auto-generated"). The work has the appearance of a vast mass of wax that moves almost imperceptibly on sunken rails leaving a residue in its wake as it traverses the breadth of Burlington House. This emblematic work reflects Kapoor’s exploration of sculptural works that actively participate in their own formation.

Another highlight of the exhibition is Shooting into the Corner (2009), which is displayed in the Large Weston and Small Weston Rooms. A cannon shoots projectiles of red wax into a corner at regular intervals. Relentlessly repeating this action, the work will evolve over the duration of the exhibition as the build up of wax takes on its own form against the walls and the floor of the galleries. The spectacle surrounding the firing of the cannon and the accumulation of the wax produces a work of extraordinary complexity and drama.

“Shooting Into the Corner”, a large cannon loaded with a canister of the same crimson pigment-wax. Every 20 minutes, a black-frocked attendant fires the gun into the adjacent gallery: hiss, bang, and a red gungy blot ejaculates through the arch. By the show’s end, 30 tons of the stuff will have accumulated, an infantile dream of sludgy excess.
a room filled with piles of cement turds excreted, apparently, by an industrial patisserie machine according to patterns randomly generated by a computer. Don’t be deceived by the poetic title, “Greyman Cries, Shaman Dies, Billowing Smoke, Beauty Evoked”. The working title, “Between Shit and Architecture”, describes precisely the debris aesthetic of this pretentious sewer-scape.

Also included in the exhibition is a group of early pigment pieces, stainless steel reflective sculptures as well as newly created works, including a major new sculpture, which will be sited in the Annenberg Courtyard.

About the artist

Born in India, 1954, Anish Kapoor studied at Hornsey College of Art, London (1973 – 1977) and at Chelsea School of Art, London (1977 – 1978).
Kapoor’s first solo exhibition was held at Patrice Alexandre, Paris in 1980. His international reputation was quickly established, with an array of solo exhibitions held in countries around the world. Kapoor represented Britain in the Paris Biennale in 1982, and again in 1990 at the Venice Biennale, for which he was awarded Premio Duemila. The following year he won the prestigious Turner Prize Award. Anish Kapoor has recently acted as Guest Artistic Director of the Brighton Festival 2009.

Kapoor was elected Royal Academician in 1999 and has been awarded Honorary Fellowships by the London Institute and Leeds University (1997), University of Wolverhampton (1999) and the Royal Institute of British Architects (2001). He lives and works in London.
 

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