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  Issue 02 Autumn (Nov - Dec 09)
Issue # 02  

Artist in Focus

LI Fang

Interview

Portfolio

Biography

Interview

Yan Pei Ming

Special Report

Niki de Saint Phalle
Louise Bourgeois
Marina Abramovic
Elke Krystufek
Shen Yuan
Teresa Margolles
Shilpa Gupta
Euliala Valldosera

People

Sanyu
Glenn Gloud

Exhibition Review

Born in the Streets
Vraoum!

Exhibition Express

So Sorry - Ai Wei Wei
Anish Kapoor
Pop Life: Art in a Material World
Caverne - Huang Yong Ping
Dress Code
Law - Zhang Ding
One Degree Separation
Sculpture on HKG Sea
John Baldessari

Design News

Nomiya - Laurent Grasso
Zaha Hadid Retrospective
Madeleine Vionnet
Editor's Note
Design News
Zaha Hadid Retrospective


ZAHA HADID RETROSPECTIVE
27 OCT 2009 – 01 MARCH 2010
PALAZZO DELLA RAGIONE
PADUA, ITALY

A major retrospective on the works of Zaha Hadid Architects will take place within the salone of Palazzo della Ragione, Padua, Italy in October. The exhibition will examine the practice’s continued experimentation and research into digital design and construction methods at the cutting edge of the industry.

The salone of Palazzo della Ragione (constructed 1172-1219) is considered one of the most notable monuments in Padua.


Icone Series Bag For Louis Vuitton

Its medieval roof remains amongst the largest in Europe unsupported by columns, whilst the frescoes that adorn the interior walls date from 1425. As with each of her projects, Hadid has organized this exhibition as a direct response to its environment within the salone, articulating the inherent contextual relationships of her work.

The historic qualities of the space presented an exacting design challenge for Hadid. The exhibition design respects these spatial and contextual characteristics whilst also intervening in the unique manner of Hadid’s digital, liquid fluidity. Conceived as an interior urban landscape, the exhibition should be considered as a large scale installation; a pixilated field defined by algorithmic formulae that introduce complexity and generate an interior urban condition. Space has been organized as a single fluid landscape with connecting individual fragments and clusters.

The works in the exhibition are classified not by the usual categories of typology or chronology, but by the design theme and agenda that generated them. In this way, the widest variety of Hadid’s projects, whether a piece of furniture or a vast infrastructure project, are arranged within the same zone, irrespective of their function or scale. These groupings include:

1. Lines/Bundles/Networks
2. Waves/Shells/Cocoons
3. Aggregations/Clusters/Jigsaws
4. Fields
5. Landscape & Topography
6. Zaha Hadid Architects. A sixth island cluster is dedicated to Zaha Hadid Architects as a practice, its organization and its research. Addressing the demand for an increased level of articulated complexity, the practice has evolved its experimentation by means of retooling its research methods on the basis of parametric design systems. Works exhibited here demonstrate the practice’s continued development of this architectural paradigm.

Mesa Table for Vitra
Product designs include some of Hadid’s most notable pieces and examine the diversity of her work including Mesa Table for Vitra, Genesy Lamp for Artemide, Aqua Table for Established & Sons, Melissa Shoes, sofas for Sawaya & Moroni and B&B Italia, and Louis Vuitton’s Icone bag. Many of these pieces are now exhibited at museums and galleries worldwide and have become collectors’ pieces alongside design classics from previous centuries.

To coincide with the exhibition, Zaha Hadid Architects have designed a 20 metre long wooden table with seating for Cavour Square in Padua.

In continuing the research on innovative materials and challenging building techniques a traditional construction material has been completely reinvented. The object is designed to challenge the usual perception of wood as a sheet or stick material, rediscovering the sculptural potential of the wooden mass. A large block of wood is carved out by dynamic forces to create an undulating structure, installed as a large scale piece of urban furniture which will attract and surprise the pedestrian flow around it. Seating areas as well as displays are provided within the sculpture.

LAUNCH OF TAVOLO DELL’ARCHITETTURA, PADUA
The top undulating surface is panelized to generate a series of elements that can display architectural projects, as it will be used to showcase the winners of the 2009 Barbara Cappochin Biennale. The digital three-dimensional file of the design by Zaha Hadid Architects has been engineered and created by the main contractor, Ar.Te, which printed the table, sculpting out the large wooden structure. The piece is subdivided into modules, allowing it to be transported to several locations worldwide after the 2009 Biennale.
 
ABOUT ZAHA HADID
Zaha Hadid was awarded the Pritzker Prize in 2004 and is widely regarded as an innovative architect who constantly tests the boundaries of architecture, urbanism and design. An aspect of Hadid’s vision is her interest in the rigorous interface between architecture, landscape, and geology.

Currently Zaha Hadid architects are working on a multitude of projects around the world including the MAXXI: National Museum of XXI Century Arts, Rome, that will be completed later this year. Zaha Hadid’s work of the past 30 years was the subject of a critically-acclaimed retrospective exhibition at New York’s Solomon R. Guggenheim Museum in 2006 and was showcased in 2007 at the Design Museum in London.

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